Tuesday, June 26, 2012

The story of a fiction

(Warning: spoiler alert. Subtle though they are, there are characteristics of character and story here that I believe the author meant to be revealed slowly as a part of plot and structure. To make a point later on, I reveal a bit of that here.)

THE STORY OF A MARRIAGE by Andrew Sean Greer (Picador, 2008) is just that, it’s the story of a marriage. It’s not the story of all marriage or of how a marriage should be, but spotlights the fact that every marriage, every relationship, is so personal and so unique that behind every door is a different story. That’s how it is in Sunset, the book’s setting, a community built outside of San Francisco for soldiers returning home from World War II. “ … and they built a grid of streets and low pastel houses with garages and Spanish roofs and picture windows that flashed with the appearance of the sun, all in rows for fifty avenues until you reached the ocean.”

Within the walls of every house on all fifty avenues, we get the sense that a different story – some happy, some sad, some violent or dramatic or just beginning or in the throws of dying – is taking place. The story Greer lays out for us, though, involves Pearlie and Holland Cook, and how their world is turned upside down when an old war buddy shows up out of the past, wanders into their lives out of the dense fog that hangs over the bay. It’s a riveting story and Greer is adept at giving just a hint of something to come in the next chapter or the next section, and it’s generally something unexpected.

While there is no way to ever know what goes on in someone else’s marriage, the small tragedies and bright flashes of happiness, Greer gets into the lives of his characters, into the mind of Pearlie Cook and what makes her tick or, rather, what she thinks makes her tick; it’s forever changing, it seems, as are the times of the early 1950s, and she struggles with this.

The book is a unique one and not easily labeled, which adds to the appeal for me. As I continue my search for an agent for a couple of novels I’ve written, I’m amazed by the many genres, sub-genres and sub-sub-genres that fiction is placed into in an effort to buy and sell work. I use a website called querytracker.net and on its search page for agents and publishers just a few of the categories for fiction include action/adventure, chick lit, commercial fiction, family saga, general fiction, literary fiction, mystery fiction, romance, western and, of course, young adult. It’s daunting. It’s also a little ridiculous. I recently had some people tell me a book might not be for me because it’s “women’s fiction.” I wasn’t sure what this meant, that my brain, as full as it is of testosterone, football, hunting, Jason Statham movies and ball scratching wouldn’t be able to understand something as nuanced as discussions of menstruation, childbirth, hem lengths and pie making?

So, how to categorize THE STORY OF A MARRIAGE? The protagonist written by Greer, a white male, is a woman. So, it’s women’s lit. But she’s also black. So, it’s African-American lit. There is the theme of homosexuality in the book. Gay/Lesbian lit. Yet it takes place in 1953 and there is a lot of talk of WWII and the Korean War. Military lit … historical lit. The price sticker on the back of this Picador paperback, bought at the Borders going out of business sale a couple of years ago actually labels it as literary fiction.

Literature should be the great equalizer. The printing press itself was more of an impetus to equality than any other invention in our history, yet our books are pigeonholed. I’m not so naïve that I don’t understand why. I know literary agents need to describe a book in few words to sell it, and publishers need it branded before they’ll consider buying it. Bookstores need to know where in the store to place it and online sellers need to know whether to pair your purchase with a set of grill tools, a nursing bra or a pistol.

THE STORY OF A MARRIAGE is a book about love and hope and fear and loneliness and happiness, just as that women’s fiction novel is that I read not so long ago. These are emotions and themes that make up all of us, it’s what we all have in common and should be able to relate to regardless of where on the shelf it’s found.

Every book and story, just as every marriage and relationship, is different. But each is filled to capacity with great characters, plot twists, drama and emotions.

I also highly recommend Andrew Sean Greer’s THE CONFESSIONS OF MAX TIVOLI (Picador, 2004).

Thursday, June 21, 2012

Because I Said So: Bugs not peskiest pests of summer



Those who point to the lowly cockroach (Periplaneta americana) in illustrating resiliency, noting that after the apocalypse only that little bug will survive to inhabit the world, don't know the stubbornness of a five year old who has seen a cockroach in the living room. Nor do they know the awe with which that child will be in when he discovers such a creature inside the house. Inside the house!

"It's on the wall," he'll announce, leaving the room again to scout the situation. "It's on the ceiling now," he'll come back to say. "There's a cockroach in the living room," he'll remind you, three minutes later.

Pests. It's what today's Because I Said So column is all about.

Bugs not peskiest pests of summer
 
There are bugs in my house. I'm not ashamed of it; it's inevitable this time of year. Those of you in the South understand that when the weather turns hot and sticky with humidity, when the nighttime temperature fails to dip much below that of noon, a whole new phylum of life will emerge from the ground to invade our homes. And those of you from elsewhere certainly have children now broken free from the chrysalis of elementary school and know what it's like to find half a Pop-Tart where you weren't expecting it, or a casually discarded pizza crust beneath a piece of furniture to create a sort of vermin vending machine.

So, yes, there are insects in my home.

But the true pests this summer are the smaller children who find it necessary to tell me about every single cockroach, spider and beetle they come across as if they're conducting a silverfish census. With the intensity and focus of a trained pointer dog, they are able to pinpoint a bug's location from two rooms away.

The kids are mortified by them all -- gnats, weevils, wasps, cicadas, bees, flies, ants, daddy longlegs and damselflies -- regardless of size or the ability to fly, leap and scurry just to attack them. So this infestation of junior entomologists comes into my office like a swarm of locusts, breathless as though they've barely escaped with their lives, to tell me that -- gasp! -- "There's a cockroach in the kitchen!"

And this is what really bugs me.

I'm expected to rouse myself from where I lie on the couch in my office with my eyes closed, working, and take up a magazine or flip-flop to dispatch a spider. Because my duties around here include getting that one thing down from that top cabinet, changing the light bulb in the closet and killing any insects scouted by the children, I have to get up and go hunting.

In the interest of staying on that couch, I've suggested that they name the arachnid, that the cricket or moth become a new pet, a best friend of sorts. They have yet to buy into that plan, such is their fear of the bug and their utter disbelief that it is now on the ceiling.

Am I happy to share a house with the occasional insect? No, of course not. Would I be happier in blissful ignorance of every bug that scampers beneath the piano? Definitely.

It's all good training for the kids eventually to become the worst census takers ever as they can't discern one bug from another. The six-legged visitor making its way up the woodwork, as far as they can tell, is the same one they saw last week inching its way across the back door threshold.

Granted, it could very well be the same one from day to day. There are those times when the alarm is sounded that I simply walk into the kitchen for a fresh cup of coffee and tell them I took care of it. Instead of risking life and limb, and a perfectly good magazine, to climb on a chair and smash it against the ceiling, I just wink and tell "Jiminy" or "Charlotte" to have a nice day.

Richard J. Alley is the father of two boys and two girls. Read more from him at uurrff.blogspot.com. Become a fan of "Because I Said So" on Facebook: facebook.com/alleygreenberg.

© 2012 Memphis Commercial Appeal. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.



Wednesday, June 20, 2012

Look At The Billion Year Old Birdie

When I first moved to Midtown Memphis in 1989 or '90, the very first day I was driving to my new apartment on Belvedere with the key pressed in my sweaty little hand, and while stopped at the corner of that street and Union Ave., I saw an old man vomiting on that apple pie slice of grass right there at the Shell service station. It was the middle of the day and I remember thinking to myself, "Welcome to Midtown."

I've just finished reading a couple of books: "Look at the Birdie" by Kurt Vonnegut (Delacorte Press, 2009), and "We Are Billion Year Old Carbon: A Tribal-Love-Rock-Novel Set in the Sixties on an Outpost Planet Called Memphis" by Corey Mesler (Livingston Press, 2005). I am embarrassed to say that this is the first book of Mesler's that I've read. It won't be the last. He evokes, in his stories populated with characters such as Johnny Niagara, Camel Jeremy Eros, Madame Sabat and Sweetness Enlight, the mythical Midtown Memphis. He conjures up the feelings I had as a nineteen-year-old watching a man give up his breakfast on the nexus of town, taking late night walks to the Pig, past Decadence Manor and in the near vicinity of The World Famous Antenna Club, an all-night doughnut shop and a small graveyard. There were things going on that were unseen then, yet they were there all the same, in apartments that abutted the sidewalk, their one window that wasn't painted shut blaring music or television, love and argument. There were things within the Pig not to be seen anywhere else or believed by your own eyes.

Mesler captures it all in a time before my time, the Memphis of the sixties, a time of the Bitter Lemon coffee house and a home-grown counter culture that tends to get buried within the world-changing tales of our city's history. It's a love poem (and there is plenty of poetry throughout this book), not just to a city on the river, but to the geographic and soulful boundaries of Midtown. And it's written to the soundtrack of Captain Beefheart, Buffalo Springfield, Furry Lewis and The Beatles. One surprising and delightful chapter gives us a series of reviews of Beatles LPs, from 1964 and "Meet The Beatles" to 1969's "Let It Be" wherein we witness the reviewer's, Creole Myers (Corey Mesler?), love life fall apart over that span of five years and ten albums. The ever-evolving persona and music of the band hearkening a change within Myers's courting, engagement, marriage and dissolution.

I didn't know what to expect from this book though I expected it to be well-written because I know of Mesler's work ethic. It is exciting for me to have an author with so much out there that I have yet to tap into.

It's difficult not to expect a lot when the author's name is Vonnegut. All I have to do is say the name and my mind is filled with passages from "Bluebeard," "Cat's Cradle," "Slaughterhouse Five" and "Breakfast of Champions." These are old friends who I've visited many, many times over the years. The expectation that Vonnegut will bring the most delicious dish to the table is a given.

However, I'm wary when anything, especially short stories, are published posthumously. Perhaps even more wary in this case because of the über-literary name attached to them. Were these stories that were previously passed over by publishers? Did Vonnegut have rejection slips hidden away someplace with these titles attached? Not likely. I imagine he could have called upon any number of publications to print these stories at any time. My guess is he didn't feel they were ready, or they were exercises or, because the author has always seemed like a fairly playful character, simply something with which to amuse himself. Either way, The Kurt Vonnegut, Jr., Trust felt it was time for them to see the light of day.

The stories are good. Don't get me wrong, of course they're good. They're just ... different. They put me in mind of some old "Twilight Zone" episodes, replete as they are with a sense of unknown, of dread, and that there is a hand somewhere unseen controlling the players in a scene. And there's a bit of noir here, too, sometimes with a voice more Dashiell Hammett than the Vonnegut we know. A particularly dark story is Ed Luby's Key Club in which a naive and innocent couple out to celebrate their anniversary are caught up in, and falsely accused of a murder. The hopeless spiral downward is one you will feel in your gut and with sweat on your brow. Only a true master, possibly only Vonnegut himself, could accomplish such a feat.

Pick both of these books up for highly engaging and entertaining reads. In fact, pick them both up at Burke's Book Store in Cooper-Young (Midtown).

Tuesday, June 12, 2012

Reading Local

Roots & Rabbis


Eat local. You can't escape this directive these days, it's there on the screen every time you turn on the internet. To that end there are farmers markets and dinner parties serving nothing but locally grown or butchered fare. The community at large is rallying around the agrarian community.

I've recently made the decision and a concerted effort to read local. Memphis is home to, or has given birth to, many fine writers. The land here seems almost as fertile for short stories, novels, essays and memoirs as it is for tomatoes, okra, radishes and melons. The literary community has roots that run deep in the Delta.

While at the beach last week, I finished "The Roots of the Olive Tree" by Courtney Miller Santo and immediately picked up "The Frozen Rabbi" by Steve Stern. Santo is an Oregon native now calling Memphis home while Stern is a Memphis native residing in upstate New York.

Both books are multigenerational with Santo's Anna Keller, the family matriarch, born in 1894, and Stern's Rabbi Eliezer ben Zephyr frozen in time in 1890. Both books are also steeped in secrets known and unknown. In "Roots of the Olive Tree," a geneticist comes to Hill  House, the family home set among olive groves in Kidron, California, to study the longevity of firstborn daughters, and clues and hints are gleaned from stories told and blood drawn. In "The Frozen Rabbi," the secrets hidden by Max Feinshmeker are kept under wraps - kept under layers of clothing - to keep him anonymous and alive; Shmerl Karp's equine lair is an intriguing laboratory of pulleys and cranks that will yield the mysteries held aloft.

Both books are also steeped in age - the age of the olive trees and women, the age of traditions and lore - yet driven by youth. When the youngest, Erin, shows up at Hill House unannounced and pregnant, the women of the family rally around her protectively even as family secrets seek to turn her world, and theirs, upside down. There are questions she wants resolved and chapters put to an end before her own child is born. And when the Rebbe ben Zephyr thaws after more than a century, it is 15-year-old Bernie Karp, a descendant of those entrusted with the safekeeping of the frozen tzaddik, who discovers him and introduces him to the present age, ways and culture.

Stern's book, while riddled with more Yiddish than drawl, is nonetheless colored by the South and with recognizable cultural and concrete landmarks to Memphians such as the Harahan Bridge, Pinch District, local newspaper and various city streets. Santo's book takes place almost entirely in the Pacific Northwest, yet its theme of family, storytelling and the tendency to come together over an item of food is instantly recognizable to all of us from the area. In fact, family is at the root of both novels and both storytellers are adept at bringing alive the individual characters and characteristics that detail each tribe as a whole.

Read local. There are nuances and details within these books and stories that one might only get from a local writer, whether they are in a manner of speaking, a reference to an obscure cultural icon, food or even weather pattern. They are details that will leave you nodding your head and whispering, "yes." Any bookstore in the area should have a section devoted to local writers, this is your farmers market. These books may not make up the bulk of your shopping list, but there should be one or two thrown in to add some homegrown flavor to your literary feast. Memphis is replete with good writers from fiction - Stern, Santo, Cary Holladay, Corey Mesler - to nonfiction - Kristen Iversen, G. Wayne Dowdy, Molly Crosby. And then, of course, there are those no longer with us - Shelby Foote, Peter Taylor and William Faulkner.

Buy their books, attend their readings, alert your friends both near and far of the tales they tell. These writers should be staples on anyone's shelf, for the health of our imagination and of our community.

The Frozen Rabbi by Steve Stern
2010, Algonquin Books of Chapel Hill

The Roots of the Olive Tree by Courtney Miller Santo
Available Aug. 2012, William Morrow

Read more about Santo here

Thursday, June 07, 2012

Because I Said So: Vacation agenda sure beats duties back home



The first morning of vacation M, S and I took a walk along the surf's edge and into Grayton Beach. Not knowing exactly where we were going, we ended up at Grayt Coffee House where we sat on the porch, ate cinnamon rolls, drank coffee and chocolate milk, and one of us wrote a column.

It's such a peaceful way to spend an hour, watching the people who pass by as the sun rises higher and the shadows move among the Adirondack chairs, sculptures, scrub plants and flowers of the front yard of this house. I felt I could've spent the entire week sitting right there in complete serenity.

There were things to do, though. There was the beach and frolicking in the waves and sandcastles to build and books to read, so I've done those as well. But I've also made it back to that porch and that porch is what today's Because I Said So column is all about.

Vacation agenda sure beats duties back home
I'll tell you how much longer we have. We have about 500 more words to go.
That's right, it's time for our annual family beach trip. It's the one-year anniversary of finding out how well this family fits into a minivan loaded with beach toys, snacks, DVDs, CDs and a few clothes. Our destination this year is Grayton Beach with its eclectic shops, laid-back environment, funky cafes and, of course, the white sands of the Florida Panhandle.

I sit and write this now on the front porch of Grayt Coffee House with my daughter, Somerset, and her friend, Meredith. It's morning of the first day, and the sun is filtered through the leaves of gnarled water oaks, a musician from Atlanta and his family just introduced themselves and their dog, Annabelle, and joggers pass by at a leisurely vacation pace.

And I think I may never leave.

Instead of packing up in a week to find out how much sand we can squeeze into the van with all of our other belongings, would it be unreasonable for me to just stay on this porch and wave at the people passing by as though I were the business' mascot, or a sunburned and sand-flecked cigar store Indian?

Do my kids expect more of me?

They expect me to make enough money during the year for this trip, though they have no concept of what a vacation like this costs. They expect me to drive them 980 miles round-trip, though they have no idea what it costs me mentally to have them whining and pleading for stops behind me, and asking me that same question again and again (only 220 more words to go now). It's a week in which they expect me to build a sandcastle, throw them in the surf, slather them in sunscreen and grill supper.

Nobody expects me to stay on this porch for the rest of the week. Or the rest of the summer. Or, if it's not a problem, the rest of 2012.

Do they really expect any more from me?

My concern is that they may all want to join me on this porch where I sit beneath a handmade metal wind chime with the word "serenity" stamped into it. They and their snacks and their toys and their DVDS and sandy beach towels.

As we get older and have more and more kids, the agenda for vacations is filled less with what we want to do and more of what we have to do. But we also find that what we have to do while away is more fun and, in some ways, more meaningful than what fills the responsible days at home.

Planning and building that castle, jumping in the waves with my youngest on my back, pointing out constellations in the pitch black night and spending a morning lounging on the front porch of a sleepy little coffee shop with a few kids is what they expect and, it turns out, just what I expect as well.

This porch is the perfect place to start a vacation. We're here, kids.

Read more from Richard Alley at uurrff.blogspot.com

© 2012 Memphis Commercial Appeal. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Friday, June 01, 2012

Writers I know

It was just a few years ago, it seems, that I didn't know any writers. Or maybe I just didn't know I knew writers. Or perhaps my idea of a writer was different then than it is now. It was a narrower definition, if anything. A writer was one who had written a novel and had it published; someone who traveled the world and answered to no one, drinking with empresses and wretches. Writers were named Hemingway and Salinger and Vonnegut and Maugham.

But now I know quite a few. They're an average lot, you might see them at a local café or walking around the grocery store, bicycling through your neighborhood, walking a dog and picking up its poop. Certainly you'll see them at a local bookstore. These writers I know, they aren't tortured souls, for the most part; or alcoholics, that I know of. They're teachers and reporters and business owners. They're husbands and wives and fathers and sisters. They have names like David and Jeffrey and Courtney and Andria. And they inspire me every day.

There are a few who are well-known, and a few more who will be soon enough. What I've found over the years is that writers are accessible. They aren't big time actors, untouchable behind handlers and agents (unless, maybe, their name is King or Crichton or Clancy or Grisham). Many of them are on Facebook and give their personal e-mails right there on their personal websites. I am a friend or two removed from some really, really big-time authors, though I'd never contact them for folly. It's just nice to know that they're there, on the opposite end of the internet, probably goofing off on Twitter like I am.

I was recently asked to join a writers' group that's been together for quite a few years. It's a group that came together during the Moss Workshop in Fiction with Richard Bausch, of which I am an alumnus, though my session was a few years after theirs. As it happened, this group had a member or two leaving for various reasons and they were kind enough to ask me to be a part of their reading and critiquing (and drinking). Within this group there are several winners of the Memphis Magazine Fiction Contest and several with published books or books on the way. It's a good group to be associated with because they take their writing, though not themselves, seriously, and appear to be endlessly encouraging. I hope I am able to hold my own within these ranks.

One member is David Williams, who has a novel, LONG GONE DADDIES, coming out with Blair Publishing in 2013. Another is Courtney Miller Santo whose novel, THE ROOTS OF THE OLIVE TREE (William Morrow), will be released in August. I wrote a feature for The Commercial Appeal on Courtney for yesterday's paper. She grew up just outside of Portland in Milwaukie, OR, the oldest child of two sisters and four brothers. It was a raucous household where, she joked, "it's a good thing we all converted to be Mormon because otherwise we would be Irish alcoholics and we wouldn't have done anything with our lives." Imagination in the Miller household was fostered early through reading and plays and storytelling. There was no television in the house until Courtney was in high school and, she told me, "I used to pretend I knew what 'Family Ties' was about. I'd go to school the next day and say, 'I love Alex, he's the best!' but I had no idea what I was talking about for years until I saw it in syndication."

I had a great time sitting with her in her tiny office on the University of Memphis campus and hearing how she began writing, how she made it to Memphis, how her book came to fruition and how it was ultimately sold. The publishing world is fascinating and fickle and evil and wondrous. Courtney has done well so far and I wish her, and all of us, the best of luck going forward.

Writer's first novel followed storybook path to publication
Courtney Miller Santo grew up in conditions fertile for a burgeoning writer, a conservative Mormon household with seven children where there was no television to be found. Instead, the large and close family told stories and created plays. They interacted in ways almost unheard of today. And they read.

"My dad was always reading, he would go to bed at 9, and he would always have a book," Santo said of her father, an elevator mechanic.

Santo, the oldest of those seven children, describes her childhood just outside of Portland in Milwaukie, Ore., as "chaotic," yet a bookish manner set in and has paid off for her in a big way as she prepares for her debut novel, "The Roots of the Olive Tree" (William Morrow), to be released in August.

The story is threaded along one olive-growing season, taking a look at the lives of five generations of firstborn daughters and Anna, the 112-year-old matriarch, who wants to be the oldest living human being in the world.

The story, set at Hill House and the family's olive groves in northern California, centers on a geneticist coming to study the longevity of the family just as the youngest, Erin, returns home alone and pregnant.

It's a combination that, the dust jacket of an advance reader copy explains, "ignites explosive emotions that these women have kept buried and uncovers revelations that will shake them all to their roots."

It's a novel with a road to publication almost as intriguing as the tale within the pages. Santo entered her manuscript in Amazon's Breakthrough Novel Award competition in 2011. Out of 5,000 entrants, she made it to the semifinals and the remaining 50 hopefuls. And then she was eliminated. But that's only the beginning of the story because she was then contacted by an agent with the Janklow & Nesbit Associates literary agency who had read the manuscript excerpts posted at Amazon, and wanted to represent Santo.

It is on the West Coast where olives grow and fantasies are realized, and it was there in summer 2011 that Santo's life changed. "I was in the middle of this cross-country vacation that had been planned forever ... and the day after we get home to my grandmother's house in Vancouver (Wash.), she (the agent) calls me and says, 'Sit down, I have an offer, and it's a really good offer,' and she told me the offer, and I was glad I was sitting down because I did not believe it."

That offer was that the book, along with an unwritten second book, would be sold to William Morrow, an imprint of Harper Collins, for six figures. Foreign rights for "The Roots of the Olive Tree" have already been sold to Italy, England, Spain, Germany, Holland and Turkey.

Santo doesn't downplay luck in this adventure. "It just doesn't seem real; it didn't seem real for a very, very, very long time," she said. "This is the dream; this does not happen that you get a company that is so excited about a debut novelist that they put this much publicity and effort into it. I feel crazy lucky."

The women of her novel might be illustrated by a photograph Santo keeps in her office, a tiny concrete bunker on the University of Memphis campus. It's one of her and her daughter flanked by her mother, grandmother and great-grandmother. Santo is a collector of stories. "My mother is a storyteller," she says. "I come from a long line of storytellers on both sides." Some she recalls verbatim in her fiction, those from decades of family lore, and others from time spent as a journalist, and others she presses like olives for the oil and essence that add flavor to her characters.

Though her love of reading and the idea of writing began in the Pacific Northwest, at the age of 18, she "decided to get as far away from home as possible" and went to school at Washington and Lee University in Lexington, Va. She met her future husband, Charlie, there and studied journalism. "I'm very practical, so to say something like, 'I want to write a book' seemed very stupid; it's like saying 'I want to be an astronaut.' Whereas being a journalist, you get your name in print every single day and you automatically get the title of writer. I think sometimes writers have a hard time owning that title."

She worked for the Roanoke Times and the Charlottesville Daily Progress. From those days as a journalist, Santo learned to love fact-checking and says that when she gets writer's block now, she does research. "Whenever I would get stuck, I had this huge stack of books that I checked out from the library about olive cultivation, and if I got stuck writing, I would just pick it up and start to read about how to take a branch from one olive tree and splice it into another olive tree, or about blight."

She would eventually end up in Memphis, where her husband took a job as associate professor of city and regional planning with the U of M, and it was here that she really began to own that title of writer. She worked as the editor of The Lamplighter, the newspaper of the Cooper-Young neighborhood, and was accepted into the Moss Workshop in Fiction, a community writing workshop with novelist Richard Bausch. "Once I got into his class, I realized all kinds of things, like there was such a thing as an MFA program," she said, laughing. "So Richard encouraged me to apply, and I got in and I got serious about writing."

The Moss Workshop took the idea of being a writer, in her mind, from being "abstract and foolish, to something that seemed plausible. But even though it seemed plausible, it's still not something I ever expected to happen in the way that it did." Through the MFA program, she met and worked with mentors such as Tom Russell and Cary Holladay.
"Cary really taught me that if you're going to write for somebody besides yourself, it comes down to revision," Santo said. "You have to be willing to roll your sleeves up and get into the prose and redo it, it's never perfect the first time out."

"She really listened, and she can recognize a good suggestion, and then she can just tear into it," Holladay said of her student and friend. "She's a very aggressive reviser of her work and, of course, it helps that she's got terrific talent and she's extremely well-read."

Last year was a good year for Santo, who also won the 2011 Memphis Magazine Fiction Contest for a short story that will appear in the upcoming June issue. "Her stories are just fun to read," Holladay said. "They're rich, and they're revelatory in terms of human character and experience."

Santo has her hands full with two children, Sophia, 9, and C.J., 7, and the writing of her second book as she anxiously awaits the release of "The Roots of the Olive Tree." But she loves teaching and intends to continue doing so with her undergraduate fiction and literature classes, saying, "I'm a better writer because I teach; it keeps me honest. It's very difficult to critique a student's work and see an error, or a way that it could be written stronger, and then not go back to your own work and recognize every single mistake that you've made."

Says Holladay: "I was eager to get her in the classroom, and right away I saw how comfortable she was as a teacher and how much her students liked her."

Though she writes these days in a place far from the Pacific Northwest, it's a land fertile with writers, where the streets teem with character. It's where her family has put down roots and made a home. "I feel like if you're on the right track, you get little nods along the way," she says. "So I feel like we made the right decision to move to Memphis as a family, and it's been the best decision we've made personally and professionally."
© 2012 Memphis Commercial Appeal. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Thursday, May 24, 2012

Because I Said So: Freedom best part of summer parenting

Is there anything more anticipated in our relentless, 365-day marathon than the end of the school year? Christmas, maybe. Birthdays, perhaps. But even as adults, we can sense an excitement in the air as the seasons change and the days on the calendar tick down to summer vacation. In all the years as children, with each lesson and rule being hammered into us until we don't have to think before we multiply or label a part of speech, this time of year has become second nature as well.

I felt it last week on the last day of school when I picked up the kids and we stepped off the curb of school property for the last time. I was giddy - giddy! - with the knowledge that we could sleep in the next day and lounge around, and not have to think about homework and lunches and school uniforms. Sure, I have to keep working as I always do, but it's a far less stressful day knowing my kids are playing and relaxing nearby.

I also looked back at the school year as I stepped off that curb, and I think I did a pretty good job. The kids made it to school every day (not perfect attendance, but really, really good attendance), they had something to eat, their uniforms were clean, they had two, matching shoes on their feet. All in all, not too bad.

In this week's Because I Said So column, I actually grade myself. I do this before my kids can do it for me, and I declare myself: average.

Enjoy!

Freedom best part of summer parenting
The school year is over, and it was a good year with advances made, focus maintained and lessons learned. The grades are just beginning to roll in, and I could not be more proud. I've given myself a solid B-minus in School Year Parenting for 2011-12.
It wasn't perfect (it never is), and I'm no show-off, but I did manage to prepare just north of 750 sandwiches since last August. I found socks, washed uniforms, located shoes and walked the kids to school. I napped. I read to my daughter's kindergarten class once. OK, sure, it was only once, but one is more than none, and that's good math. I also helped my kids with some math homework.

My weakest subject was probably handwriting. Specifically, in putting my handwriting on the many forms that Memphis City Schools requires for our kids to take part in any activities. There was a mountain of paperwork in my inbox, and no way to get to all of it, not with all of those sandwiches to be made. So some papers were late, and some never made it to school. Or they made it there, but were tardy.

There were forms for field trips, for projects due and projects done, graded homework, quizzes to be signed and notices of fundraisers. I put these things off, set them aside and forgot all about them.

The first rule is to always show your work. Well, here it is, beneath this pile on my desk, still.

There were tests, too. Spontaneous questionnaires by people I'd run into at Lowe's or Kroger -- "Papa quizzes," if you will -- and I was expected to know the answers. "Sixth-grade ... baritone saxophone, Japanese and Spanish, soccer ... 14 years old ... TCAP ... peanut butter."

School-year parenting is different than summertime parenting, isn't it? During school, there are rules and regulations to adhere to, time schedules, adults standing at the front of the room telling you what is and is not acceptable. But in the summer, I can do what I want, when I want. Mostly. As long as the adult at the front of the room says it's OK.

During these 10 weeks of summer, we will sleep late and eat at all hours of the day. We'll go outside when the sunshine calls and come in for television and naps when the shade begins to vanish. I will still make sandwiches, and I will still walk with my kids, but I won't have to sign the forms to say they can go to the zoo, I won't have to wake them before sunrise, and they can spend whole days with no shoes for all I care.

Summertime Dad will get an A-plus. I can feel it. I've been studying for this since late last year, somewhere around sandwich No. 220. I've memorized the formula, I've solved for X and found that X marks the spot. And that spot is poolside, where I'll be with a cool drink in my hand and working on a passing grade at passing the time. 

Richard J. Alley is the father of two boys and two girls. Read more from him at uurrff.blogspot.com. Become a fan of "Because I Said So" on Facebook: facebook.com/alleygreenberg

© 2012 Memphis Commercial Appeal. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Tuesday, May 22, 2012

Summer Days



I've been working on this week's column which is all about the end of the school year and beginning of summer, just as it was last year at this time (and probably the year before that). It got me to thinking about last year's column, so I descended the creaking, iron staircase to the second basement level and the Because I Said So archives to retrieve it and share it again with you.

Happy summer, everyone.

A syllabus for summer vacations to remember
Another school year has come to an end. If yours was anything like ours, the year was one of ups and downs, overall good grades, some conduct issues, large and involved projects and plenty of homework. 
School days are, by necessity, rigid in their schedules and run smoothly because of their rules.

Summer days are not.

So, to my kids, and to yours if you wish, I give you your summer syllabus.

First, take your school pants, the ones with the knees that are frayed and worn thin, and rip the legs off there at those knees. This is your summer uniform.

Next, go outside and stay there until called in. And then complain that the day is over. Catch fireflies. Explore the woods. Build a fort. Tear it down and build another. Spend an entire day reading comic books. Have your fill of snow cones. Learn the names of the birds in your backyard. Drink from a hose. Track down kids in your neighborhood and get to know them. Read "Tarzan, the Ape Man" beneath your largest tree. Spread wildflower seeds around your neighborhood. Build a sand castle. Laugh at the tide the next day when that castle is gone. Build a kite. Fly a kite. Use chalk to make a sidewalk mural an entire block long. Go barefoot. Everywhere. Learn new songs and sing them. Draw a picture of your house every day and color it a different color each time. Camp in your backyard. Write a story. Write a poem. Plant a garden. Wash your neighbor's car. Go whole days without putting a shirt on. Play in the rain. Shoot 20 baskets in a row. Eat new foods on a blanket on the lawn. Drink lots of lemonade. Make your own popsicles. Eat a popsicle for breakfast. Read your parents' old encyclopedias; they were the first Google. Conduct a census of the squirrels. Climb trees. Oil a baseball mitt. Dig a hole. Read the funny papers. Watch a Marx Brothers film. Forget where you put your video game. Roast marshmallows. Count the stars. Lie in the grass and listen to the cicadas; you'll be adults the next time they sound like that. Make mud pies. Operate a lemonade stand. Nap in a hammock. Run through a sprinkler. Visit the zoo. Stay up all night and watch the sunrise. Tell ghost stories. Build a birdhouse. Ride your bike farther than you ever have before. Swing on a rope. Find some shade.

I understand the concern for lazy children and the fear that the Chinese or Canadians or whatever group is currently overtaking us in math and science scores will be studying these next two months. But maybe we as parents can go this summer without thinking of us vs. them. Maybe we can look at these long summer days through the eyes of our children and remember just how quickly it all slips away.

Kids, soak up these days, and be sure that at the end of the season, when you're back in your desks and your teacher asks, "What did you do for summer vacation?" you can answer honestly, "Everything."
Richard J. Alley is the father of two boys and two girls. Read more from him at uurrff.blogspot.com. Become a fan of "Because I Said So" on Facebook: facebook.com/alleygreenberg

© 2011 Memphis Commercial Appeal. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Thursday, May 10, 2012

Because I Said So: Volunteer early for getaway errands

Last week I was sent up to Kroger for an item. While there, I found myself walking around the store looking at products and wasting time. I wasn't looking for anything else in particular, and I didn't find anything, but the kids had been especially loud and obnoxious at home and it was just a nice little escape. This "vacation" struck me as funny, so I posted something about it to Facebook, and a lot of people found it funny as well. A lot of people identified with it, and that's one of the main things I look for in a column. I want it to be funny, or poignant, but I also hope that it's about a trait or habit that other people might see in themselves. It needs to strike a nerve and, if I'm lucky, that nerve is on the funny bone.

Today's column is an example of how a silly little Facebook status can turn into a silly little column. I apologize ahead of time to anyone whose cover I might have blown with this column, hopefully I'll see you up at Lowe's and we can discuss it there.

Volunteer early for getaway errands
Every parent needs to get away from time to time. We need to step out of our role as caretaker and the crushing weight of responsibility that comes with it. We need time for ourselves, time to clear our mind, a change of scenery. We need silence.
However, a weekend on the Florida coast or a Caribbean island might not be available to all of us. A trip to New York or San Francisco might interfere with soccer games, homework projects and sleepovers.

So what I do is, when I'm sent up to the Kroger on Sanderlin for a necessary dinner item or forgotten lunch staple, I take a little time just for me and stroll around the store. I sight-see and explore for things like fruits I've never seen or a new flavor of toothpaste. Perhaps I'll run into someone I know or just sit and watch the lobsters for a bit.

It is the saddest vacation available in the Frommer's travel guide.

There are times when a special item is needed and Kroger becomes a layover before traveling on to Whole Foods. This is the closest I come to visiting a foreign land. The foods there are exotic, the people concerned and the ambience organic. I feel, while walking around that store with no children tagging along, as free to range as their chickens.

There are other vacation packages available as well. There is the obvious choice of the hardware store. The aisles of Home Depot and Lowe's are populated by fathers who have "run up to the store for a minute" for a box of nails or "a bracket for that thing I'm working on." I see them wandering, clutching a roll of duct tape like it's luggage and admiring a 12-amp reciprocating saw as though they were browsing the duty-free between flights. A trip like this could take an hour; in the spring, when the garden center is in full bloom, an hour-and-a-half. Bracket For That Thing I'm Working On would be a good name for some sort of VIP lounge if those companies were so inclined.

The trick, of course, is to buy your ticket early. Not too early -- don't look too eager -- but claim it just before your spouse has the chance to volunteer picking up that pack of toilet paper or a head of garlic. It's why I always offer first to travel to Gibson's Donuts. It's just something, I tell my wife, that I want to do for my family. I'll get the dozen donuts and then get one just for me and a cup of coffee. It's 10 minutes of "me time," 20 if that train at Poplar, blessedly, delays me.

The trip home from any of these excursions should be a long, circuitous one. I'm the one you're stuck behind and cussing as I meander just below the speed limit to take in the changing leaves or the progress my neighbors are making on renovations. I know they're renovating because I see them at Home Depot all the time. The escaped parent finding himself alone in the car does not care about gas prices. He is not concerned (at the moment) with the environment. He is alone and at peace with the windows down and the dulcet tones of NPR to keep him company.

Being able to spend quality time with family is a gift we all should cherish. Being able to spend a few moments away from the kids and the television and the responsibility is like an exotic trinket from a far-away gift shop.

Richard J. Alley is the father of two boys and two girls. Read more from him at uurrff.blogspot.com. Become a fan of "Because I Said So" on Facebook: facebook.com/alleygreenberg.

© 2012 Memphis Commercial Appeal. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Monday, April 30, 2012

Farewell

On that August day in 2010, I'd gone out for a lunch with Andria and wasn't gone for much more than an hour. I came home to find the back door kicked in and a lot of valuable and sentimental items gone. It's an awful, sinking feeling. Among the missing were two laptops, but we were left with a large, prehistoric desktop computer and later that evening I checked my e-mail from it to find that I'd been accepted into the Moss Workshop for Fiction with novelist Richard Bausch. It was a bittersweet day. It was a whirlwind year for my writing, one in which I was assigned my first cover story for Memphis Magazine and The Memphis News, accepted into the fiction workshop and won the Memphis Magazine short story contest. The workshop itself was a roller coaster of excitement and apprehension, fear and confidence. To sit quietly while Richard reads something you've written, and then listen as 10 people dissect it, praise it, trash it and question it, is a test in resolve.

Richard Bausch is moving on to Chapman University in Orange, CA. It's a huge loss for the University of Memphis and a boon for Chapman. He gave a farewell reading last week and I was fortunate enough to be asked to stand up and say something about Richard in lieu of any formal introduction. I was told I would be one of a few. I found I was one of seven, one for each year he was at the U of M. Had I understood beforehand that I was there to represent my group of Mossians, I would have been even more terrified than I already was. I hope I did them proud.

I'm not a public speaker. My heart races in anticipation, my mouth grows dry from anxiety, and I feel I can't concentrate enough to stand on my own, much less recite a prepared speech. But it's something I wanted to do for Richard, to give a little back to him since he's given so much to me.

Several people have paid tribute better than I - David and Maria, to name a couple - but this is what I said, or what I wrote and meant to say out loud. I'm not really sure what I said when I got up there, but I meant every word of it, or of this, at least.


My wife is not a fan of Richard Bausch. It has nothing to do with his writing, she likes that just fine. But on those workshop nights in the fall of 2010, when I'd stumble in from R.P. Tracks well past midnight on a school night, I had to blame the late hour on someone. And that someone was Richard.


I'd explain that it was all part of the instruction. And it was, too, because Richard's teaching is so wrapped up in who he is, in his stories, his examples, his experiences, his voice and his mannerisms that all we, as learners, have to do is open our minds up wide like a catcher's mitt and absorb what he says. I was determined to stay in that crouch for as long as possible.

The hell of it was, though, that the next morning I could remember little more than a stanza from a filthy limerick he'd recited or the punchline to a story about a car-driving monkey. An entire evening spent with a successful novelist spouting words of wisdom and I couldn't remember a thing.

But there is one thing I remember and it happened on one of the first nights at Tracks after a class. As we all got ourselves situated around a little table, and in the course of ordering a lot of drinks, Richard told the waitress that we were all writers. And he said it just like that, with no qualifier: we're writers. He didn't say we were student writers or novice writers or writing hopefuls. That night, around that table, we were a community of writers.

I must have laughed or made a snide comment because, even though I'd been a freelance writer for a couple of years by then, I never would have referred to myself as such in front of someone so successful doing exactly the thing I wanted to do. Richard must have picked up on this because he got very quiet, and he got very serious, and he assured all of us around that table, again without qualifier, that we were writers, and that we should never think of ourselves as anything less. I think it may be one of the kindest things anyone has ever said to me.


Thank you, Richard.


Thursday, April 26, 2012

Because I Said So: Driving minivan full of kids no easy ride

When we first got our minivan I thought, just like the rest of you think, that I was too cool, too young and too hip to be driving a minivan, the chariot of the suburbs. But I was not, and neither are you. What I found when I mounted up was one of the smoothest rides I'd ever had, a comfortable armrest in my captain's chair and an impressive view of all around me. There was a DVD player built in and, as we drove to Georgia for Thanksgiving shortly after purchase, I was allowed the quietest eight hours I'd had in years as my kids sat slack-jawed and staring up at the little screen with oversized, cordless headphones.

Today's column is an ode to the minivan and a knowing wave to all of my brethren and sisterthren out there behind the wheel.


I've always appreciated the way that guys riding motorcycles will wave to each other as they pass on the street in a show of knowing macho brotherliness.

I saw two people in Jeeps do the same thing the other day while zooming down Poplar. With the roofs off, wind in their hair, sun glinting off their smiles, they acknowledged each others' carefree ways and devil-may-care attitudes.

You know who don't wave to each other? People driving minivans. You know why? Because we're too busy reaching back with our waving hand to snatch a sippy cup from our youngest as she threatens to pummel the oldest, or handing a bag of Cheerios put in the glove box during the second Bush administration back to a wailing son. Noses need to be wiped, carsickness tended to and shoes located.

Are we brothers and sisters, those of us who careen around town in minivans? Yes. More so even than the helmeted and anonymous and, dare I say, lonely dudes on motorcycles. The mother idling at the light next to me in her Honda Odyssey is just as likely as I am to be wondering what is that smell emanating from the far back seat (fermented chocolate milk) or what is the whirring from beneath the driver's seat (a McDonald's Happy Meal toy).

The dad in front of me will rest his elbow on the open window and try his best to appear coolly detached as a Barbie, thrown from behind, hits him in his head. No matter, I know from the sticker on the bumper of his Chrysler Town and Country that he's proud of that young hurler.

The easy rider days have passed me by. Or, I should say, the possibility of such a day. I never had a motorcycle. I never had a convertible. Now I have four kids and a vehicle with doors that open at the push of a button on my key chain. I have a DVD player mounted in the ceiling and a commanding 360-degree view.

A car seat won't even fit on a motorcycle, will it? I've never seen one other than in the film "Raising Arizona," and even as a childless 17-year-old I knew that Leonard Smalls was being far too reckless with that baby.

When we were first married, Kristy and I had a two-door Toyota that we traded in for a four-door Nissan when Calvin was born just so we could get the car seat into the back. Not even four-door drivers wave to each other on the streets.

Parenthood, for all the people living in one house and riding in one car, is a lonely traveling companion.
Parents have been otherwise occupied since the earliest days of car travel when a baby was carried on its mother's lap in Henry Ford's first Model T as the father steered with his knee and unwrapped a granola bar for the kid in the backseat.

Perhaps it's the innate need to protect our children that keeps us from waving to others in our tribe, the absolute imperative to keep both hands on the wheel and eyes forward as we navigate the Memphis traffic. It may be what I should do, but there are things within my vehicle that require immediate attention and leave me with precious little time to look cool, nod at passing motorists and imagine myself on a vehicle built for one. 

Richard J. Alley is the father of two boys and two girls. Read more from him at uurrff.blogspot.com. Become a fan of "Because I Said So" on Facebook: facebook.com/alleygreenberg.

© 2012 Memphis Commercial Appeal. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Monday, April 23, 2012

Bird Man

A year ago tomorrow I had a story in The Commercial Appeal about Gordon Hall (No adversity could keep flying man Gordon Hall on ground; April 24, 2011). Mr. Hall began flying airplanes at the age of 17 after flunking out of high school because, as he told me then, “I had no desire to learn algebra, chemistry, geometry and physics, all the stuff they were trying to jam down my throat."

Instead, he wanted to fly. And fly he did.

In 1946 he joined the Air Force but was found unfit to fly because of a lack of depth perception. He spent the next 18 years as a radio controller and air traffic controller. They couldn't keep him down and he continued to fly on the side as a charter pilot and instructor. When the Army came looking for those with commercial pilot ratings who wanted to transfer and train to fly helicopters, Mr. Hall jumped at the chance.

The only catch? Passing a Class 1 physical, including an eye exam and depth perception test requiring him to look into a viewfinder and pick out one circle of five that appeared to stand out among five separate rows.

Photo by Dave Darnell
He told the story: “As I started to look into the viewer, the phone rang, and the flight surgeon picked up the phone, smiled, turned around and engaged in the conversation, so I read off fictitious numbers," Hall said. "And then I just sat there trying to look bored because I was worried sick that he was going to ask me to repeat. So I just sat there, and he turned around and said, 'Well, that's about it.'"

He flew supply missions in Vietnam, at one point rescuing two downed pilots in the Gulf of Siam as North Vietnamese sped towards them in boats. It was his “greatest accomplishment and adventure in Vietnam.”

Mr. Hall lost all vision in his right eye in 1966, yet continued to fly charters and as instructor until 1996. I got word over the weekend that he passed away Friday evening at the age of 84.

I had a great time getting to know Mr. Hall and hearing his stories. He kept a map in his home office with red pushpins in the location of every airport in the country he’s landed in. The entire thing was a sea of red.

He wrote in his memoir, "Tiger Lead, Your Flight Is Up," published in March 2011: "Ever since third grade, I used to lie on an incline in the grass during the lunch break and I would spend time looking up at the beautiful, soft, billowy, white cumulous clouds as they floated with the wind. I was absolutely entranced at the thought of being a bird or perhaps a bird man or even being able to fly an airplane among those puffy white clouds floating in the blue sky."

Fly on, bird man.

No adversity could keep flying man Gordon Hall on ground

Gordon Hall dropped out of high school because he found its pace too slow, too rooted in the ground, and he needed to fly.

"I had some hard times in high school," said Hall, who lives in Bartlett. "My mother wanted me to go to college prep school, but I had no desire to go to college, and I flunked out of high school. I had no desire to learn algebra, chemistry, geometry and physics, all the stuff they were trying to jam down my throat."

Ten days later, in 1946, he was in the Air Force training to be a Morse code radio operator, eventually being sent to the Aleutian Islands for 14 months. The northern Pacific Ocean, he said, was a place that "impressed me more than any other place I've ever been."

Growing up in Connecticut, his father worked as a fireman or engineer on steam locomotives during the Depression to support Hall and his five older sisters. But while his father was moving across the terrain at ground level, his son had dreams of soaring.

Hall writes in his memoir, "Tiger Lead, Your Flight Is Up," published in mid-March: "Ever since third grade, I used to lie on an incline in the grass during the lunch break and I would spend time looking up at the beautiful, soft, billowy, white cumulous clouds as they floated with the wind. I was absolutely entranced at the thought of being a bird or perhaps a bird man or even being able to fly an airplane among those puffy white clouds floating in the blue sky."

In 1945, after VE Day, flying restrictions were lifted on the East Coast and the chamber of commerce sponsored 40 hours of ground school for kids. After ground school, Hall bought a block of flying time and began training, soloing only two months after his 17th birthday.

Despite his love for flying and his early training, he was unable to fly in the Air Force because of his lack of education and a deficiency in depth perception. Instead, he spent the next 18 years as a radio operator and air traffic controller.

The Army came looking for those with commercial pilot ratings who wanted to transfer from their current branch of the service to train as helicopter pilots. From 1960-64, Hall had been flying on the side as a charter pilot and flight instructor, building his time in the air. He qualified for the chance to join the Army, but he had to complete a Class 1 physical.

On the day of his physical, the final exam was the depth perception test requiring him to look into a viewfinder and pick out one circle of five that appeared to stand out among five separate rows.

"As I started to look into the viewer, the phone rang, and the flight surgeon picked up the phone, smiled, turned around and engaged in the conversation, so I read off fictitious numbers," Hall said. "And then I just sat there trying to look bored because I was worried sick that he was going to ask me to repeat. So I just sat there, and he turned around and said, 'Well, that's about it.'"

Hall was accepted into the Army as a warrant officer aviator in June 1964 and was sent to Fort Rucker for helicopter school, where at 36 years old he had the most military and flying time, and was the oldest of 16 students learning to fly the Bell UH-1Y or "Huey," as it was known.

"While these guys were starting out, I already had 2,200 hours (of flight time)," he said.
Bryce Haugsdahl first flew with Hall after moving to Memphis from Los Angeles in 1984 to work as a charter pilot and flight instructor.

"He gave me my first ride as a co-pilot in a jet," said Haugsdahl, the current president of United Way of the Mid-South "It was a real thrill for me; that was the first jet I'd ever flown. Gordon was one of the first guys to help me get my career in Memphis off the ground as far as flying."

Hall finished school in 1965 and, he said, "45 days later I was in Vietnam."
"We were the first company to pioneer air mobility, carrying troops into combat by helicopter," Hall said. "If we weren't flying combat, we were doing support for little detachments or units in our vicinity."

He took his tour in the southern part of Vietnam, mainly ferrying South Vietnamese troops into combat. On Dec. 15, 1965, while returning from a resupply mission, Hall and his crew of co-pilot and gunner were told a Navy plane had gone down in the Gulf of Siam (now the Gulf of Thailand) and the pilots had ejected. Being in the closest aircraft, Hall was asked if they were able to help with the rescue effort. He turned around and headed out over the water, spotting two crewmen in life boats not far off the coast and two hostile boats on the way to the scene. With no hoist or harness on board, Hall had to make the daring rescue of putting the helicopter's skids into the water so his copilot could pull pilots John Sutor and George Dresser aboard.

"It was my greatest accomplishment and adventure in Vietnam," Hall said.

He left Vietnam credited with 940 hours of combat flight and combat support time, was awarded 27 air medals, including two with a V for valor, and was recommended twice for the Distinguished Flying Cross in only 101/2 months.

He lost all vision in his right eye due to histoplasmosis, a fungal infection, in 1966, the same year he retired from the Army, and eventually had that eye removed. Despite this infirmity, he continued to fly as an instructor and for corporate charters, a job that brought him to Memphis to fly for the Murff Cotton Co.

When asked if the incident over the Gulf of Siam was the closest he has come to any real trouble in the air, Hall produces a sheaf of papers listing problems he's encountered as a pilot, mostly alone, though some were with student pilots. The emergencies include dropping oil pressure, stalled engines and engine fires.

"I was so impressed: Here was a guy who only had one eye, and yet he had a waiver to fly and he was so smooth on the controls, a very accomplished precision instrument pilot," Haugsdahl said. "He had the basics and fundamentals down so well that he was very comfortable in the airplane. ... He performed just exactly as I would expect him to perform without a ruffled feather."

Hall retired completely from flying in 1996 at the age of 68, having been an active pilot for more than 51 years -- 30 of them with an artificial eye -- and with 18,603 hours of flight time in his log books. A map of the United States in Hall's home office is riddled with dots, 528 of them marking every airport where he's made a landing. In his career, he's had the privilege of flying 66 different types of aircraft into those fluffy clouds he gazed upon as a young man.

"It was a challenge and a sense of satisfaction; that's the whole key," he said of learning to fly and maintaining such a long career. "I've had a great life, and I've been a lucky boy."

"Tiger Lead, Your Flight Is Up," is available online and locally at Davis-Kidd Booksellers.

Wednesday, April 18, 2012

Artist Alley had rich newspaper heritage

This is my father's obituary that ran in The Commercial Appeal on April 14, 2012. Some people without access to the CA's website have asked that I post it here.

Thanks to Mike Lollar, a reporter and writer I've always admired, for writing this up so well and so quickly. He'd known my dad for almost 40 years. Thanks, too, to local artists Calvin Foster and Colin Ruthven, and cousin Dan Conaway, for their input.

I would also like to add that sometimes things come together at a frenetic pace and information is gathered hurriedly and, unfortunately, a name might be inadvertently left out of a story. I know this from first-hand experience. My dad's wife of four years, Antoinette Marie (Rossi) Russell, was a huge part of his life and of great comfort to him throughout his illness. Our thoughts are certainly with her at this time.


At Christian Brothers High School, Rick Alley was the student who sat in the back of the class drawing while the teacher tried to impart the real lessons.

That's the way former classmate Calvin Foster remembered him Friday after Mr. Alley died in Melbourne, Fla., a few months after being diagnosed with lung cancer.

Mr. Alley, 61, was the third generation of his family to work as an artist for The Commercial Appeal. His grandfather, J. P. Alley, won a Pulitzer Prize for editorial cartooning in 1923, and Mr. Alley's father, Cal Alley, followed in his father's footsteps as an editorial cartoonist.

Foster, a graphic design professor at the University of Memphis, said Mr. Alley had "amazing wit, charm and talent, and I've never met anyone before or since who had such an innate ability to draw caricatures."

His favorite medium was watercolors, but with a few strokes in a pen and ink drawing, Mr. Alley could turn out a caricature revealing parts of a person's personality or character that others often missed, according to fellow artists.

Colin Ruthven, artist and former director of the art department for the newspaper, described him as "one of the best artists I've ever ever run across just from a standpoint of raw talent. He had very little training, but he had amazing skill with caricatures and whatever you put in front of him."

Mr. Alley joined the newspaper as a copy clerk in 1970 and soon became a staff artist. In a career that lasted more than 30 years, he did hundreds of caricatures, including one of legendary Alabama football coach Bear Bryant that led to a highly sought-after print.

But his art was more inclusive.

"He did a lot of paintings from portraits to landscapes," said his daughter, Elizabeth Alley, an artist and technical writer. "He sold his work sometimes, but a lot of times he did it just to give to people."

Son Richard said that as a child, it "was amazing to watch. I would go to bed at night when he was sitting down to work on something. I would wake up in the morning, and there was this wonderful watercolor there. It was like Christmas every morning."

Alley said his father continued to paint after his diagnosis, doing beach scenes and sunsets.

Mr. Alley's first cousin, Dan Conaway, a marketing and advertising consultant and freelance writer, said that Mr. Alley improved on an inherited talent. "Rick comes from a long line of very talented artists and cartoonists, and I think Rick was the most talented. His dad and granddad were more about political cartooning than art. It was all about the visual side to Rick."

Mr. Alley also leaves another daughter, Katherine Borden of Fort Lauderdale, and a sister, Jehl Palvado of Gulf Shores, Ala.

Tuesday, April 17, 2012

Forty-eight months old

The first Because I Said So column I wrote for The Commercial Appeal appeared on April 17, 2008. Four years ago today. And it's still in the archives!

We still had a kid in diapers and daycare then, and we were probably just a little in awe (and fear) of what we'd produced. It was an exciting time, wasn't it? There seemed no end to the subject matter and fodder for columns. I hope you have all enjoyed the ride, I know I have, even if we haven't successfully colonized the moon ... yet.

Thank you to my editor, Peggy Reisser, and partner in crime for so long, Stacey Greenberg. Thank you to my kids for putting up with being put under a microscope and in a clown suit by me for so many years.

I hope you will enjoy that very first column all over again:

Real kids shrink notions of big family
My grandparents, Bob and Shirley Fachini, raised seven children, a respectable number by anyone's standards.

It was the 1950s and '60s, a much simpler era, I'm told. Families were larger then because this country needed as many citizens as possible to fight communism, go to Saturday movie matinees for a nickel and colonize the moon.

They would later come to call these babies "boomers," because of how much noise that many children, at one time, in one place, will make.

Their house was warm and loving and, sure, it was cramped, but they made do. Bob built a table large enough for everyone to eat around, and Shirley sewed dresses for the girls.

It sounds like an idyllic time, and the stories of the antics of my aunts and uncles as kids have engaged me since I was a child.

It was those stories that had me wanting a large family of my own.

My wife, Kristy, and I have four children between the ages of 21 months and 10 years. And, as it turns out, we're done.

That's right. I don't know what got into my grandparents' brains to make them think seven kids was a good idea, but I'm afraid something had to be a little off for two intelligent people to willingly welcome that many little people to live with them.

By stopping now, we're not squashing my dream of raising a big family, because four is the new seven.
When Kristy and I tell people, especially new parents with only one child, that we have four, the look we get is generally awe and amazement.

Never envy.

Maybe just a hint of pity. Yes, mostly pity, now that I think of it.

The truth is, we weren't exactly sure at the beginning what we were doing.

Kristy researched parenting styles, while I was content, and over my head, just keeping the kid alive and somewhat happy. Ten years, and three babies later, it's still all I can do.

But our home now is full of love. Just as much with love, in fact, as it is with discarded Pop-Tart wrappers, broken and mismatched toys, half-emptied cups of milk and diapers, both clean and dirty.

Parenthood is an easy enough club to enter, though staying in the good graces of the club's membership board -- your kids -- is tricky.

Nothing was easy for my grandparents either, yet they signed on for seven kids and dealt with them as they showed up. And if they could handle seven, then four should be cake, right? Or at least a chocolate icing-smeared face smiling up at us.

We're doing our best with our quartet, in the spirit and with the tenacity of my grandparents.

We'll send them to the best schools we can, we will communicate openly with them and we'll raise them to be caring and informed citizens, who will one day, hopefully, grow up to colonize the moon.

Monday, April 16, 2012

Because I Said So: 4 years of writing, still not expert on parenting

My dad died last week. I wrote a column. But I didn’t write a column about my dad; not exactly.

My sister and I drove 14 hours to Melbourne, FL, to say goodbye to him, but it was never my intention to write about him and us. Yet when I re-read certain phrases – “ … remember the sad …” (I know I meant for that to read “bad”) – I realize that he was more infused in what I wrote than I realized.

Being a parent isn’t a science, the best we can do is feel our way around in the dark and hope that every once in a great while we’re able to flip the light switch on so we can see where we’re going. My dad stumbled around for years without much light, unfortunately, and it took a toll on our relationship. Like many parent/child bonds, it was strained and it was elastic, bouncing back at times and stretched to the breaking point at others.

As a father myself, I’ve learned of the imperfections of parenting, of how easy it might be to make the wrong decision, say the wrong thing and set in motion a course of misunderstandings, resentment and bitterness. Perhaps the greatest lesson my dad gave me on the subject of fatherhood is what not to do and that our actions have consequences. I’ve taken it to heart.

In the end, though, it wasn’t about what had been right or wrong, but what we felt right then and how incredibly sad it is to see a loved one in his final stages of life. In the end, the pain and anger and hurt feelings just don’t matter so much. He was at peace and my sisters and I were at peace with that.

He left me with other things, too, of course: a sense of humor, a love of the ocean, the taste for jazz, some nascent talent and the ability to recognize it in others, and an appreciation for The Marx Brothers and old Tarzan movies. These are all attributes I see now in myself and in my children.

My column last week was about what a crap shoot parenting is, how the best we can do is to do our best, and just a bit about how important it is to remember the good times at all cost, which is the bit that must have been about my dad. We had some good times, though they tended to be overshadowed by the other times. I spent last week trying to focus on the good and will continue to do so, to give my own kids a well-rounded version of who their grandfather was.

This is last week’s “Because I Said So” column:

Four years ago this week, I began writing the "Because I Said So" column. In more than 100 columns, somewhere in the ballpark of 50,000 words, I've written about anything from holidays to school days, from newborns to puberty to middle age. I've written about Memphis, movies, music, time travel, books and matters of familial and national security.

What have we learned?

Probably nothing. This isn't an advice column. Oh, please don't seek advice from me. I have been a parent for more than 14 years and have four children, yet every morning when I wake from blissful slumber to a world strewn with dirty socks and baby dolls, I wonder if I'll be able to do it again; if I have the will to delude myself into the fantasy of being in charge for even one more day.

What I have expected on any of those days is for one of my children, most likely 5-year-old Genevieve, to turn her large brown eyes on me and say, "Do you even know what you're doing?"

Of course I don't. I know how to make a peanut butter and jelly sandwich, and I knew once how to hook up the Wii game console to the television and remove training wheels (and then put them back on for just a few more weeks). As a first-time father, however, I knew nothing at all of comforting a child late at night, colic and rashes, where Waldo was (or who Harry Potter was, for that matter), why bad things happen to good people, and explaining how the Internet, the Electoral College and combustion engines work.

As a father of 14 years, I still have only a cursory knowledge of very little, or any, of this, but what I have learned over the four years of writing this column is that neither do any of you. The common denominator in parenthood seems to be a sense of being overwhelmed much of the time and exhausted the rest. I've been stopped by readers in restaurants or the grocery store and told that their daughter also loses her mind when the seam of her sock rubs her toes the wrong way or that their son subsisted for three years on little more than frozen pizza and chocolate milk as well.

Are we bad parents? No, we're just tired. Do we have difficult children? Mostly, yes, especially that little girl with such sensitive toes. But we're doing our best to raise up children into adults who will have children who make them crazy.

I can attest that one of the biggest fans of this column is my own mother, who has gotten to see her revenge played out in public every two weeks for a hundred weeks running. This column is dedicated to her, and to the mother of my own children, and to all the parents out there who struggle and scream, encourage and laugh, day in and day out.

Four years goes by in the blink of an eye, just as childhoods will. Write down the funny stuff, remember the sad, and share it all with your children for years to come. 

Richard J. Alley is the father of two boys and two girls. Read more from him at uurrff.blogspot.com. Become a fan of "Because I Said So" on Facebook: facebook.com/alleygreenberg.

© 2012 Memphis Commercial Appeal. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Friday, April 06, 2012

"Like space travel"

They can't all be gems.

I've been told this countless times when a column I've written has gone over about as well as a turd at a wedding. Sometimes I catch them before I send it to my editor, sometimes they get by me and make it in the paper. I woke up Sunday before last to write my column and it was all about Bobby Keys, the session saxophonist and semi-permanent sideman for The Rolling Stones. I hand wrote it all stream of consciousness like I do to get my thoughts and ideas down before going back and rearranging the puzzle of words, metaphors and punchlines. I thought it was ... okay. But then I woke up the next morning and rewrote an entirely new column and felt that it was better. That's the one you read last week.

I thought the original, the Keys version, was more time sensitive because his book, "Every Night's A Saturday Night," had just come out and I'd gone up to The Booksellers of Laurelwood only days before to hear him tell some stories about his episodes with Keith Richards, Elvis Presley, John Lennon and the like. So that column has no home unless I publish it here, which I will.

The book is good. It's not up to the level of Keith Richards's memoir, "Life," but a lot of the stories overlap and Keys is an encyclopedia of the music of the 1960s and '70s. I feel that, by the end, he comes across more as a hanger-on than a respected musician. He spent a lot of time broke, sleeping on someone's couch and hoping that Mick Jagger would deign to allow him to go on tour with the Stones just one more time. And this is when Keys was in his 40s, too old to be living like he did when he was 19.

His stories, though, of playing saxophone on Elvis Presley's "Return To Sender" (he had no idea he was playing on Elvis's record), or of how that great solo on "Can't You Hear Me Knocking" came about (one take), makes it worth any music fan's time to read. There is plenty to just skim past, but you'll want to re-read the chapters about his time spent with John Lennon, and how he went to England to record with Eric Clapton, but ended up on George Harrison's first solo album instead.

Keys pursued his dreams at the cost of family, health and sanity, at times, but he used his talents to the best of his abilities and it's that pursuit that is the theme of this column-that-wasn't. Here it is in all of its unpolished glory:


Because of my love for literature, and in an effort to pass that passion to my children, I took a couple of my kids to The Booksellers of Laurelwood last week for a book signing by Bobby Keys for his new memoir “Every Night’s A Saturday Night.” The kids left my side as soon as we entered to peruse the young adult section, only occasionally wandering by to hear what the longtime Rolling Stones and session saxophonist had to say.

On the way to the store, my son had asked who Keys is and I gave him a brief synopsis, including the fact that while on tour with the Stones they lived the life of excess. “What does that mean?” he asked.

“Drugs and booze,” I said. “The kind of things we don’t do, but others do and then write about so that we can read all about it.”

“Like space travel.”

“Exactly like space travel.”

It’s difficult, isn’t it? Warning your kids against a life of over-the-top debauchery when someone is out there who went toe-to-toe with Keith Richards and, not only lived to tell about it, but is still functioning and succeeding. The key (so to speak), I think, is to focus on what got him there: the talent and drive to succeed.

To this end, I introduced my 14-year-old son, who plays baritone and alto sax, to Bobby Keys. “I hated high school band,” Keys told him. “I liked the band bus, though. It was better than the football bus ‘cause we had girls on ours.”

Okay, so back to the music. Encouraging our kids in their pursuits is easy, it’s the fun part of parenting; the no-brainer. Explaining that things can be carried too far is trickier.

But it’s all tricky. I was talking with someone recently who was saying she’s glad she doesn’t have kids because there are so many difficult decisions to be made.

And there are.

It’s like space travel; it’s like being locked in an airtight capsule that’s whipping around the Earth at 17,000 mph and there are no brakes. There is no stopping to take a breath because there is no air up there. The best we can do is make minor adjustments to the flight path and hope that any single adjustment doesn’t send our kids hurtling into deepest space. Or on tour with the Rolling Stones in 1972.

I love music. I’m a huge Stones fan and would love nothing more than to see my kids excel at something they love as well, whether it’s medicine, finance, painting, cooking or the baritone sax. The trick is to make the right decisions, give a gentle nudge here and there and hope it’s in the right direction.

There may be nobody better for mentoring in pop music today than Bobby Keys, I just should have nudged him in more of a musical direction last week. I didn’t ask him for parenting advice, though he is a father himself. He has a son, his name is Huckleberry.

Bobby Keys during the recording of "Exile On Main St."